I keep thinking of Paris in the sun and its cafés and boutiques down the tree-lined boulevards, and the haughtily aloof Haussmann buildings and women in heels and scarves and men in suits and long coats, and I wish I could see all of that here.
I’m itching to have the sense of purposefulness and busyness back, when it took going down five flights of winding apartment stairs, a fifteen-minute walk down the Ave de la Bourdonnais, four stops down the Ligne 8, a correspondance at Madeleine, a stop down Ligne 14 ending at Pyramides, and finally a fast walk down the Ave de l’Opéra just to get to my stage on time (and this I often missed by ten minutes).
I miss the late-night endings at Hillsong, when I’d have to make my way back home from Rambuteau on the Ligne 11, wait for dozens of minutes for a metro train to arrive at Les Halles, and then finally make it through Ligne 14 or 1. I miss the surprising sense of relief every time I saw the sign marking “8 Balard,” my direction home.
I miss the hustle of nonstop activity and hassle that I complained about. I even miss the strong sense of struggle it took to live in a city like Paris as a lost foreigner. The very difficulty it took to live daily life in France brought with it a feeling of growing independence that was more rewarding than I had ever expected.
I miss the silly and often exasperating snootiness of some Parisians. That snobbiness marked with a sort of dignity, at once annoying and endearing, and just so Parisian that the only appropriate response is often a wry smile at it all.
I miss, too, the old, strange, and sometimes-inconvenient doors, windows, elevators in Paris, the multiple layers of security to get through one single apartment building.
And I also want the other side of Paris back, too: the sitting for hours outside café terraces with a porcelain cup filled with incomparably delicious café viennois, feeling the warm sun on your skin, chatting with friends in cozy dimly-lit restaurants around St. Michel, strolling down the Axe Historique – past the Louvre and Palais Royal, through the hieroglyped Obélisque and Place de la Concorde (imagining Marie-Antoinette beheaded there), down the Champs-Elysées to the Arc de Triomphe and back, just for fun.
I miss French vinaigrette and compote and their strangely better-tasting tomatoes and their too-hard baguettes, their over-priced pastries and tartes, the inestimably amazing pain au chocolat that not even Panera in the States can ever hope to rival.
I want to speak French again, French as an everyday, current language, so I can run through my perfected “Avez-vous une mobicarte orange?” query at tabacs and métro kiosks, attempt to explain myself to RATP officers and storekeepers, say things like “Je vous remercie,” and “Pardon,” just because it’s normal…to hear it and read it and dream it because it’s everywhere. Just to be surrounded with the language without having to hunt down a French movie in the small ‘Foreign Films’ sections of rental stores, special-order French music, or go to particular Francophone events.
But I don’t want Paris’s loneliness and its coldness. The impermeable greyness of everything when it drizzles in the winter and everyone walks past in long black coats and severe black umbrellas, hardly acknowledging your existence. I don’t want the feeling in the pit of my stomach that I have to be constantly on my toes to make sure that everything would be okay – the pressure to fit in and blend myself in Parisian society, never to be marked ‘foreign.’
I like the easy familiarity here with people and places. Somehow it gives me more liberty to be more of myself, with less reserve. And I appreciate the warmth that Americans emanate. And American 2% milk, the kind that always has to be refrigerated. And the spacious openness, cleanliness and modernity of places is nice, too, sometimes.
It’ll just take me a while to readjust.
And if I never do, well, I’ll just have to move back to France.
with a 34-euro ticket on a thursday evening, i abandoned all work on my 30+ page rapport de stage (internship report) and took the 42 bus straight to op
the choreography was stunning; rows of dancers in fabulous costumes – layered dresses, frilled shirts, black maids’ dresses – would weave in and out of each other in synchronized lines or complicated patterns, and every solo or pas de deux was executed beautifully. i can’t imagine planning out such a ballet step by step as noureev must have. it was intricate but cohesive, and made even more powerful because the music was profokiev.
i walked out into the bright parisian night to catch the 42 back, with a view of the opera to my right and the galeries lafayette to my left. an elegant middle-aged lady actually conversed with me at the bus stop, and we commiserated over the fact that we had “rat




I have always known that I was meant to live in a palace (châteaus (châteaux) count). This was reconfirmed when, on a marvellously sunny Sunday, Middlebury took a group of students on a free trip to the Château de Fontainebleau, about a 20-30 minute train ride from Paris. It’s southeast about 60 km from Paris, and the city of Fontainebleau is on its borders, the way it was hundreds of years ago.
After lunch in the garden, we made our way to two winding, imposingly grand stone staircases set in the center of a wide open court all paved in stone – we had arrived at La Cour du Cheval blanc (Court of the White Horse), or La Cour des Adieux (Court of Goodbyes…Farewell Court?), where Napoleon bid his adieux in 1814. Immaculately trimmed green lawns with manicured trees symmetrically adorned the stone court on both sides.
And finally, the glorious Forêt de Fontainebleau, known as “la plus belle forêt de France” (the most beautiful forest in France), and to me, I think it really must be. The afternoon sun glittered off the canal, so that it looked like a long deep sapphire ribbon with millions of blinding diamonds, and we ate a picnic lunch on its shores. The grass was soft and dry, the sun the perfect degree of warm for a late winter day. We picked daisies and did the French version of “he loves me, he loves me not”: “Je t’aime un peu, beaucoup, passionnément, à la folie, pas du tout!” (i love you a little bit, a lot, passionately, madly, not at all!) – “There are nuances in French.” Lying on our backs on royal park grounds, under the sun, on wide stretches of warm green, away from grey Haussmannien Paris, was simply therapeutic.